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[National Museum of Modern Art, Tokyo industrial arts building] Inge yard long novel exhibition

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Date From Friday, September 14, 2018 to Sunday, December 9
From 10:00 to 17:00 (as for the admission until closing 16:30)
Closed days Monday (9/17, 9/24, 10/8 are opened), Tuesday, September 18, Tuesday, September 25, Tuesday, October 9
Place National Museum of Modern Art, Tokyo industrial arts building (Kitanomaru-koen Park 1-1)
Access

Tozai Line "Takebashi Station" 1b exit, an 8-minute walk

Viewing charges General 600 yen (400 yen), university student 400 yen (200 yen)
※(in), group rate, all more than 20 include consumption tax.
※One and person of attendant (one) who lower than high school student and have under 18 years old, disability certificate are free of charge.
※Each in the case of admission of age such as student identification card, driver's license know,
Please show disability certificate.
[free viewing day] Viewing day free on November 3 (soil, celebration)
Sponsorship National Museum of Modern Art, Tokyo
Reference TEL: 03-5777-8600 (hello dial)
Homepage http://www.momat.go.jp/

Event contents

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Japan, the Swedish diplomatic relations establishment 150th anniversary
Inge yard long novel exhibition


<< THE SET >> 2017 Kimura glass shop photo: Anna Danielsson/Nationalmuseum Stockholm

Inge yard long novel (1943, Stockholm birth) to be designer on behalf of Sweden, and to be known as ceramist again. As for glass tableware and the earthenware of daily life trainer that focused on functionality, both color and form are extremely simple, but dignified beauty and sincere viewpoint as one master are felt consistently.

By book exhibition to perform in commemoration of Japan and the Swedish diplomatic relations establishment 150th anniversary, we add the most new item such as series (2017) for Kimura glass shop to base at exhibition held in Swedish National Museum in 2016 and introduce by the wide activity in earnest for the first time in Japan.

From design for IKEA to collaboration project with architect, we approach in charm of her manufacturing to call oneself with "form-giver" (person giving form) through approximately 180 points of masterpieces such as tableware or interior article which the writer chose.

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National Museum of Modern Art, Tokyo industrial arts building MAP

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