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[National Museum of Modern Art, Tokyo] Art of uchu*kaichikosoden in bowl

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Date From Tuesday, March 14, 2017 to Sunday, May 21, 2017
From 10:00 to 17:00 (on Friday from 10:00 to 20:00)
*Admission until 30 minutes before closing
Closed days Monday (3/20, 3/27, 4/3, 5/1 are opened), Tuesday, March 21
Place National Museum of Modern Art, Tokyo 1F plan exhibition gallery 
(3-1, Kitanomarukouen, Chiyoda-ku)
Access From Tokyo Metro Tozai Line Takebashi Station 1b exit a 3-minute walk
Viewing charges General 1,400 (1,200) Japanese yen
University student 1,000 (800) Japanese yen
High school student 500(300) Japanese yen
*(in) advance sale and more than 20 groups rate. All include consumption tax.
*Advance ticket is sold for from Monday, December 5, 2016 to Monday, March 13, 2017.
*They are lower than junior high student, and one and person of attendance (for one person) having disability certificate are free. In the case of admission, please show thing, disability certificate to understand of age such as student identification cards each.

*Held possession exhibition "MOMAT collection" simultaneous for viewing charges of book exhibition only for the day of the admission "furniture of Marcel Breuer can see improvement for good, too".
Sponsorship National Museum of Modern Art, Tokyo, Kyoto National Museum of Modern Arts, NHK, NHK promotion, Nihon Keizai Shimbun, Inc.
Reference Hello dial (exhibition guidance)
TEL: 03-5777-8600
Homepage http://raku2016-17.jp/

Event contents

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Art of uchu*kaichikosoden in bowl


With space in bowl, we abandon all decoration and beautiful form and arrest the infinite world caused using bowl which completed molding while trimming soil by molding by hand molding into more by the bowl definitely like space when it is organic space wide endlessly.

In other words, we make one tea. Partner drinks the tea. Two all of relations rotates in bowl by the act. Human thought while we stare in the bowl has greatly deep meaning as imagination is not possible elsewhere, and space and the infinite world that you should call right open.

*chawan created by person called long Jiro spreads out with form called transmission from father to son to date 450 years ago. We tell secret and the art such as art or study only to one of own children, and transmission from father to son is what secret elsewhere do and do not express and is alone child who inherits dai even if one child is not child literally, and devolution is to tell from generation to generation.

** where production has been continued by such a way of thinking for many years has long tradition, however it may be said that they are continuations of discontinuity that is not cleared up by the word tradition. For charges of each which begins with long Jiro, and counts 15s, the present age makes trial and error in the inside called "the present age", and creation continues.

We consider modernity in transmission from father to son by seeing successive "now - present age" for the first Jiro Yonaga beginning in viewpoint from the present age by book exhibition. You can see art of ** produced definitely by a series of discontinuity that is not tradition and tradition.

■The highlight
It is held in Los Angels County Museum, St. Petersburg Hermitage Art Museum, Moscow Pushkin Museum of Fine Arts and mobilizes approximately 190,000 people. Exhibition which won favorable reception adds to full degree and returns in triumph. Including first koku*chawan "Oguro of Jiro Yonaga whom Sen no Rikyu loved," one action released most of successive important cultural properties. Including important cultural property of Koetsu Honnami, yorisugurino work is exhibited, too.

◆First Jiro Yonaga, important cultural property of koetsu are prepared on unprecedented scale

◆Excellent bowl which Rikyu loved is prepared

◆You can see tradition and the skill of *ka 450 years

◆You can see first Jiro Yonaga beginning that we caught in modern viewpoint, successive "now"


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