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Possession exhibition modern industrial arts and tea ceremony (National Museum of Modern Art, Tokyo sponsorship)

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Date From Tuesday, April 28, 2015 to Sunday, June 21
From 10:00 to 17:00 (as for the admission until 30 minutes before closing)
Closed days On Monday (opened on May 4)
Place National Museum of Modern Art, Tokyo industrial arts building (Kitanomaru-koen Park 1-1)
Access

Tozai Line "Takebashi Station" 1b exit, an 8-minute walk

View charges General 210 yen (100 yen), university student 70 yen (40 yen)
※(in), group rate, all more than 20 include consumption tax.
※With person who lower than high school student and has disability certificate under 18 years old, 65 years old or older
Person of attendance (one) is free.
※Each in the case of admission of age such as student identification card, driver's license understand,
Please show disability certificate.
[free view day] On Sunday, May 3, it is Sunday, June 7 on May 17 (day of day, international museum)
Sponsorship National Museum of Modern Art, Tokyo
Reference TEL: 03-5777-8600 (hello dial)
Homepage http://www.momat.go.jp/

Event contents

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Intellect is ho ... Feel; and ho.

In background that Japanese industrial arts greatly develops, and unfolded, there is relation with tea ceremony. After modern times when structure way called writer came up, superior work = "container of tea ceremony" which made full use of various material has been brought about. It may be said that they expressed new thought by sonotokidokino writer like mirror to project the times on. Unlike convenient so-called tea service set which made much of functionality and utility assuming use, convey thought by personal sense of beauty; "there are a lot of unit-related things turning up which there is which were going to propose originality in molding and design as "caliber" of expression. In addition, it was not from structure hand, and industrial arts developed by new use = "choice" by sense of beauty from master. It is figure that it should be said with the origin that has been established in the world of tea ceremony that master chooses "container" as for it variously and enjoys.

We squeeze focus to "container" in conjunction with tea ceremony that industrial artist of the close present age including holder of an important intangible cultural property brought about and investigate book exhibition about flexible thought and molding through approximately 60 works. It will be to be opportunity to think about charm of "choice" as pleasure of tea ceremony at the same time.
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Handbill

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National Museum of Modern Art, Tokyo industrial arts building MAP

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