◆Artist: Ayato Fujiwara
From "moment when we opened baking, kiln, we stand there and begin to exist."
Ayato Fujiwara is table in technique baking of ceramic art and technique sharpening of sculpture in human beings who are root-like theme of sculpture in total
We show. Caliber of earthenware has; if is inner, develop two-facedness called the outside; his sculpture of of human being and the outside, the truth and falsehood, sculpture
We have both light and two contradicting elements such as shadow at the same time. The vague expression not to know where you look at
Have ha fuyukan and seem to symbolize modern Japanese ennui slightly.
We have mysterious reality, and whole body sculpture of person standing in the ground which Fujiwara produces continuously directly pulls thing to see
We attach. The surface which hand was added to delicately by technique of engraving lets feel coldness and warmth only by earthenware; originally
We remind of greed to "want to touch" thing which the surface of earthenware which you should touch looks at inevitably. In other words, of Fujiwara
Say that work causes personal space which is different from so-called art work and sense of distance of person of appreciation between the display sky
rudesho. Sense of touch-related temptation to have of this work surface lets thing to see with Fujiwara work original thing puzzle.
In addition, Fujiwara let you radicalize problem of identity to be Japanese writer after London stay. Mashiko appearance
He who get close to ceramic art with the body, and grew up chooses technique and theme to cross the border with ceramic art and genre of sculpture necessarily; with independence sculpture
We cut modern expression of Japanese people keenly at the same time to express ha universality-like human being. Fujiwara disagrees here
We balance element, and it may be said that we let you deepen the way of sculpture. In addition, it is universal with relief work on the other
We express theme that is konsepuchuaru more without being limited to theme called human being. Fujiwara is the present age in this way
Search theme called bigger human being without staying there while having toiu point of view; is sense of incongruity with modernity and universality
It may be said that it is rare writer who is compatible without feeling.
By book exhibition, we match conventional relief work, bust, drawing sculpture with the latest person whole body sculpture and display
We do. Person image not to seem to be right here, and to be right here now that is theme that is extremely modern while being universal
Please give me *.