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Ayato Fujiwara Private Exhibition "absent-minded"

On the date From Saturday, January 8, 2011 to Monday, February 7 from 12:00 to 19:00
Holding place 3331 Arts Chiyoda 3331 Gallery
(6-11-14, Sotokanda, Chiyoda-ku)
Access From Tokyo Metro Suehirocho Station Exit 4 a 1-minute walk
From Tokyo Metro Yushima Station Exit 6 a 3-minute walk
From the JR Okachimachi Station south exit a 7-minute walk
From JR Akihabara Station electronics quarter Exit an 8-minute walk
Regular holiday On Tuesday
Admission Free of charge
Reference 3331 Arts Chiyoda
Telephone: 03-6803-2441
Sponsorship 3331 Arts Chiyoda
Sponsor homepage

Event contents


◆Artist: Ayato Fujiwara 

  From "moment when we opened baking, kiln, we stand there and begin to exist."
  Ayato Fujiwara is table in technique baking of ceramic art and technique sharpening of sculpture in human beings who are root-like theme of sculpture in total
  We show. Caliber of earthenware has; if is inner, develop two-facedness called the outside; his sculpture of of human being and the outside, the truth and falsehood, sculpture
  We have both light and two contradicting elements such as shadow at the same time. The vague expression not to know where you look at
  Have ha fuyukan and seem to symbolize modern Japanese ennui slightly.

  We have mysterious reality, and whole body sculpture of person standing in the ground which Fujiwara produces continuously directly pulls thing to see
  We attach. The surface which hand was added to delicately by technique of engraving lets feel coldness and warmth only by earthenware; originally
  We remind of greed to "want to touch" thing which the surface of earthenware which you should touch looks at inevitably. In other words, of Fujiwara
  Say that work causes personal space which is different from so-called art work and sense of distance of person of appreciation between the display sky
  rudesho. Sense of touch-related temptation to have of this work surface lets thing to see with Fujiwara work original thing puzzle.

  In addition, Fujiwara let you radicalize problem of identity to be Japanese writer after London stay. Mashiko appearance
  He who get close to ceramic art with the body, and grew up chooses technique and theme to cross the border with ceramic art and genre of sculpture necessarily; with independence sculpture
  We cut modern expression of Japanese people keenly at the same time to express ha universality-like human being. Fujiwara disagrees here
  We balance element, and it may be said that we let you deepen the way of sculpture. In addition, it is universal with relief work on the other
  We express theme that is konsepuchuaru more without being limited to theme called human being. Fujiwara is the present age in this way
  Search theme called bigger human being without staying there while having toiu point of view; is sense of incongruity with modernity and universality
  It may be said that it is rare writer who is compatible without feeling.

  By book exhibition, we match conventional relief work, bust, drawing sculpture with the latest person whole body sculpture and display
  We do. Person image not to seem to be right here, and to be right here now that is theme that is extremely modern while being universal
  Please give me *.